The Wolfman

So my plan was to talk to Jonathan Maberry at the Writers Coffeehouse in Philly this past Sunday, but as luck (of the bad kind) would have it, he’s been battling the flu for several weeks and could not attend. This post is therefore not going to be quite as interesting as I had intended. I sincerely hope that Jonathan feels better soon!

I saw The Wolfman, the remake of the classic 1941 Lon Chaney movie, once early last year and promptly forgot most of it. The novelization is, as I expected, much more engaging. Jonathan uses some lovely turns of phrase, and I also enjoyed the way in which he tied the ancient myths of the Goddess of the Hunt to the Wolfman’s transformation. As far as archetypal monsters go, I truly feel that the werewolf has not been done justice; read the book The Beast Within by Adam Douglas, and you’ll see what I mean. Most stories that involve werewolves (there is a sorry lack of good fiction specifically about this creature) have followed a pattern similar to The Wolfman; they focus on the physical transformation rather than the mythic and psychological aspects that make it such a fascinating monster. Two recent treatments that I found fairly compelling have occurred not in film or fiction but–you guessed it–in video games. Both Dragon Age: Origins and The Elder Scrolls V: Skyrim feature werewolf quests that speak to this mythic nature, with echoes of a past in which the line between human and beast was not so clearly drawn.

Though, being an editor, I found myself editing in my head whenever a word was repeated, a sensory barrier used, or a sentence written as passive when it could have been active, Maberry wrote a perfectly acceptable novelization given the source material. I found both Gwen and Lawrence to be rather unlikeable given how soon after Ben’s death they’re pawing at each other (as it were), but again, that’s the fault of the source. The character that held my attention the most was Sir John; he is an experienced hunter who has seen countless animals roaming their natural habitat. After years of having Singh lock him up during the full moon, he realizes that the urges of the werewolf are no less natural than those animals he has hunted. He is a predator hunting his prey, no more and no less. That the prey is human, and that not being at the top of the food chain is unacceptable to most humans, is always the werewolf’s downfall.

Maberry was obviously limited in what he could do with this particular story, since it had to follow the movie script. The novel served its purpose in that sense, but I’d be much more interested in reading his own take on the werewolf legend.

Published by Jennifer Loring

Jennifer Loring’s short fiction has appeared in the anthologies Tales from the Lake vols. 1 and 4, Nightscript IV, Dim Shores Presents Volume 2, and the Bram Stoker Award-nominated Not All Monsters and Arterial Bloom, among many others. She holds an MFA in Writing Popular Fiction with a concentration in horror fiction and is currently working toward a PhD in Interdisciplinary Studies - Humanities & Culture, focusing on queer possibility in fairy tales. Jenn lives in Philadelphia, PA, where she and her husband are owned by a turtle and two basset hounds.

4 thoughts on “The Wolfman

  1. Nice assessment of the book. I especially liked the references to Skyrim (which I just finished) and Dragon Age: Origins (which I am just now going through.)Have you ever seen the film Ginger Snaps? I think that movie does a fantastic job taking the psychological elements of the werewolf story, and it does it from a female perspective.


  2. Now that we have our new TV, I'm dying to play Dragon Age again (even though I got so lost in those damn woods). Let me know what you think of it.I love Ginger Snaps! It would be great to see more werewolf fiction of that caliber, both on film and in print.


  3. I got that feeling as well, that if left to his own devices to come up with a plot, the story would have been a lot better. However, I enjoyed Mayberry’s novelization of the movie, and thought he did a good job with the description of the setting, the characters, and of the action. He has a very poetical way of describing things that I ate up. I loved the metaphors and such.


  4. I actually paused my playing of Dragon Age in the woods. I found that game troubling because the enemies always seemed too easy or able to kill me in one hit. After one heated situation of dying without saving, I decided to go back to the game when I'd had some time to cool off. That was over a year ago. I am playing Skyrim now and have been looking forward to the werewolf section, but I have not gotten there yet.As for Ginger Snaps, have you seen the sequels? The third one leaves a lot to be desired, but I thought the second one was great. In some ways, I thought it was better than the first. I really loved the ending; it was really probably the worst possibly fate B could have imagined.I like Sir John, too. The dynamics his character had were very fascinating. Struggling between sanity and insanity, fighting the emotions of lost loved ones yet wanting to kill everyone, Sir John was very interesting. I think part of the reason I enjoyed the book more was because I felt like I got a better sense of Sir John as a character.


Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.

%d bloggers like this: