TALES OF OBSCENITY #1 PUBLICATION ANNOUNCEMENT

image.jpeg SST Publications are proud to announce the release of Tales of Obscenity #1. This exciting debut issue of our new horror & erotic horror magazine features fiction by Jennifer Loring, Angeline Hawkes, Ty Schwamberger, John Everson, Jeremy Terry, M.R. Gott, Christopher Fulbright and J.F. Gonzalez. The beautiful cover art is by David Ho and the full-colour interior artwork and story illustrations are by Luke Spooner, Alan M. Clark, Allen Koszowski, Mike Mabrey, Daniele Serra and Vince Natale. This debut issue also features a ten page, full-colour Mini Gallery from cover artist, David Ho.

The magazine is now available from Amazon US (http://www.amazon.com/Tales-Obscenity-1-Paul-Fry/dp/1909640018/ref=sr_1_11?s=books&ie=UTF8&qid=1366793646&sr=1-11) and will be available very soon, in print and eBook formats, from all major retailers.

To celebrate the launch of our new magazine, we have a fantastic special offer for you!

Purchase a print copy of Tales of Obscenity #1 from anywhere at all, and if you like it and would like to pre-order a copy of the Special Limited Hardcover Signed Lettered/Numbered Editions:

Just send your proof of purchase (snapshot/screen shot/scan/photocopy etc.) to mailpfry@gmail.com and we will give you:

£6 off a copy of the Signed & Lettered Limited Edition or
£3 off a copy of the Signed & Numbered Limited Edition!

(Please remember to state which edition you’d like to pre-order: either the Signed & Lettered or the Signed & Numbered and we will send you a PayPal invoice for the new discounted price.)

It’s like you’re getting a copy of the print magazine for nothing or for half price! What have you got to lose! It’s our way of saying thank you for all your support, and if you do like the mag, you might even fancy subscribing. You never know!

This special offer expires on May 6th, 2013 at 11:59 p.m. (GMT).

For more details about the very Special Limited Hardcover Editions please visit SST Publications: http://sstpublications.co.uk/sst/Magazines/Tales-of-Obscenity-1-Hardcovers.html

SST Publications is also proud to announce the publication of our new eNovelette Series.

We will be publishing novelettes as eBooks in the horror, erotic horror, dark thriller and dark sci-fi genres.

Our new eNovelette Series will be a little different as the bestselling titles from the series will be published as comic versions. These will be comic adaptations of the same story drawn by a comic/graphic novel artist. They will initially be released as eComics to see how well they sell.

If the eNovelettes and eComics sell well, there will be a print edition of them published in the future. Either published individually or in a collection containing a few eNovelettes/eComics that we have published in the series.

Novelettes are defined as having a word count of between 7,500 to 17,500 words. They are a great reading length as they are longer than short stories, but not too long as to be read quickly. They’re the perfect length if you’re after a nice, quick and enjoyable read to fill in a few spare minutes. Our eNovelettes will be around the 10,000 word count.

The first three titles are now available for pre-order directly from SST either individually, or together for a special discounted price.

For more info on the first three eNovelettes in the series please visit: http://sstpublications.co.uk/sst/Ebooks/eNovelette.html

30 Days of Night

I am an unabashed nerd who goes to comic book conventions and plays video games. Graphic novels are one of my favorite things in the world. I’ve owned 30 Days of Night for many years, probably since shortly after it was released, and it provided a much-needed respite from the romantic, whiny bullshit that had defined vampires for the previous several decades (and continues to do so in the YA and paranormal romance genres). Look, I’m woman enough to admit that I went through an Anne Rice phase in my late teens-early 20s. But at least Lestat was actually fun in Interview With the Vampire–he enjoyed being a vampire and a jerk. As the vampires grew ever more obsessed with being human again, I lost interest.

And that’s what attracted me to 30 Days of Night. These vampires love being at the top of the food chain. They aren’t crying for the loss of their souls/mortality/some chick/etc. They like to feed and to kill. It’s what they do best, and damn it, it’s just fun. The choice of Barrow, Alaska for a vampire rampage is so brilliantly obvious, I’m a little pissed I didn’t think of it first. Curse you, Steve Niles! Barrow is extremely isolated, extremely cold, and extremely dark. The sun never rises for a solid month. It would be the ideal setting for any number of horror stories, but if you’re sticking with the concept that vampires can’t go out in the sun (a concept that comes not from folklore, but from Hollywood), what better place on earth than Barrow? My one complaint would be the largely unnecessary subplot involving George and “Momma.” It added little to the story overall, especially since there is already conflict between the vampires themselves regarding the discovery of their existence. I haven’t read subsequent books in the series, so I don’t know if the pictures George transmits to her ever have any relevance or not, but that subplot just seems out of place.

OK, and Eben’s transformation. No explanation is given as to why he is able to control his vampirism for as long as he does. The person whose blood transformed him immediately became consumed with bloodlust. I have no cause to believe that Eben is a better person than a man who was bitten searching for a loved one (Eben has spent most of the book hiding, after all), yet he can somehow channel his murderous impulses toward the vampires rather than the people around him. He sort of reminds me of Rick from The Walking Dead, whose heroism, motivated by a thoroughly unrealistic altruism, has rendered him unbelievable as a character.

A lot of people are on the fence about Ben Templesmith’s artwork. In his introduction Clive Barker mentions the “soft focus” of it, and I think it works well for this story, as it creates the illusion of the indistinct haze formed by falling snow. The black-and-white bleakness of the setting and the vampires, contrasted with splashes of red, is visually very powerful. (I did my undergrad in studio art, and I still draw and paint as often as possible, so I’m very much a visual person.) His style is highly unique and, even if you don’t like it, you probably won’t forget it.

Is 30 Days of Night the greatest vampire story ever? Of course not. But it brought back the folkloric vampire, the heartless, remorseless killer that haunted the nightmares of 18th-century Europe. That’s the vampire I know and love, and I hope we continue to see more of them.